Two historical ballet dancers performing a ballet routine

How well do you know your ballet history?

How well do you know your ballet history?

Have you ever wondered how the traditional dance medium ballet came to be? Brush up on your knowledge as BLOCH details the history of one of our favorite types of dance...

Ballet, as we know and love it across the world today, began back in the year 1500 at court balls during the Italian Renaissance. When Catherine de’Medici of Italy married French King Henry II, the art form spread to the courts of France. The Queen’s influence and love of the arts – combining dance, music and setting into productions – became a common form of entertainment.

Although tutus and pointe shoes wouldn’t be introduced for several hundred years, there were some elements of choreography modified from popular court dance steps. Fast forward a couple of centuries and ballet continued to morph into a true art.

The birth of ballet

In the late 1800s ballet flourished in Russia, producing major masters and innovators. Dancer and choreographer Marius Petipa collaborated with Lev Ivanov to create such classics as The Nutcracker and Swan Lake, with scores by Pyotr Illyich Tchaikovsky. Both are still incredibly popular today.

During this period Enrico Cecchetti pioneered his revolutionary technique, which focused more on the individuality of the dancer rather than forcing turnout or adding stylistic flourishes. Under Cecchetti’s tutelage, Anna Pavlova (born in 1881) began studying ballet at the tender age of eight at the Imperial Theatre School in Saint Petersburg. She would later go on to become arguably the very first iconic ballerina.

Two historical ballet dancers performing on stage

Pioneers 

Ballet was still more pervasive throughout Europe, but Pavlova’s emotive performance style helped to popularise the art of ballet in America. The Russian ballet dancer is also credited with creating the modern pointe shoe – with a hard shank and a more flexible sole – due to her weak feet with high arches.

In the early 20th century, Russian-born Serge Diaghilev formed Ballet Russes in Paris. The groundbreaking company promoted artistic partnerships among young choreographers, composers, designers and dancers, including composers Igor Stravinsky and Claude DeBussy, artists Vasily Kandinsky and Pablo Picasso, and renowned costume designer Coco Chanel.

In 1924, a young George Balanchine left the Soviet Union to join Diaghilev’s Ballet Russes. Dighilev, renowned for spotting talent, quickly let the confident Russian create ballets for the company. Versions of productions, including Michel Fokine’s Les Sylphides and Balanchine’s Apollo and The Prodigal Son, are still widely performed today.

A hostorical male and female dancer performing a ballet routine together on stage
Balanchine later relocated to the United States and established The School of American Ballet in New York City, which opened on 2 January 1934, helping to shape ballet across the pond. In 1948 Balanchine co-founded The New York City Ballet, where he was the artistic director for more than 35 years.

Another descendant of Ballet Russes was Russian-born Adolph Bolm, who was also instrumental in establishing ballet in America, mainly for his role as the first director of the San Francisco Ballet School.


Ballet today

Today, ballet continues to enchant the world. Although its structural roots still remain, the physicality and athleticism associated with the genre are significantly more demanding than in the early stages, back in the Italian courts. Modern day ballerinas and choreographers like Wendy Whelan, Justin Peck, Isabella Boylston and Misty Copeland, continue to defy the standards while inspiring ballet’s next generation and beyond.

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